My suckling pig with rosemary ate my homework.
Title sequence. Sexy and bloody Renaissance paintings and frescoes intercut with sexy and bloody snippets from what I'm sure are only the first two or three episodes, all strung together in a melting-ink oil-and-water suggestion-of-blood sort of thing, while a bunch of Gregorians chant some dies iraes. If the Rome and True Blood title sequences had a baby and abandoned it in a dumpster, and if the baby was then found and raised by an Italian Philippa Gregory, this would be it.
Contextual title cards - what is interesting is that they are written in past tense, implying that everything we're watching has absolutely happened and there's nothing we can do about it. Rome 1492. The center of the Christian world. (Still, yes, but the Protestants won't admit it.) The seat of the papacy. (Still, obvs.) The Pope had the power to crown and un-crown kings. To change the course of empires. (Not anymore, which I guess is a good thing.) The Church was mired in corruption. (Still, but that's half the point of the Church, nay?) Pope Innocent VIII was dying (not anymore because he's dead), And the Papal throne was the prize desired by all. (Only slightly truer then than it is today.)
Papal bedroom, where a priest delivers the aforementioned Innocent a communion wafer. Can I just say, re-naming yourself Innocent is like trying to disguise a herpsore as a beauty mark - everyone knows what you've been up to. Jeremy Irons, here playing Cardinal Rodrigo Borgia, peeks his Keith Richards-esque face into the frame. "You are afraid to enter," croaks Innocent, "but you must. I am about to meet my maker." Rodrigo steps lively, followed by Cardinal Shortwhitebeard, Cardinal Angryeyes (who seems to be entering from the other side), Cardinal Blurryfacedextra, and others, as Innocent admits he is very afraid. Then he helpfully greets Cardinals Sforza (the aforementioned Angryeyes), Orsini (Shortwhitebeard), Borgia (got it, thanks), and Della Rovere (Colm Feore! I saw him play Henry Higgins in My Fair Lady once!). Innocent predicts the four in-focus actors will "fight like dogs", which I take to mean that they are the preferiti (can you believe I remembered that? I read Angels and Demons like six years ago!). Della Rovere crosses himself a propos of nothing, already setting himself up to be that fucking guy. "It was pure once," Innocent gasps, talking of the Papal throne. "We have all sullied it with our greed. Lechery." Our greed for titties. The present company looks a bit tactfully expressionless. "Which of you will WASH IT CLEEEAAANN?" Everyone's like PICK ME. Rodrigo pipes up, "It shall be cleansed, Your Holiness, with the tears we shed for you." Excellent, Mr. Borgia, ten points for Gryffindor. Della Rovere and Orsini have the visceral, panicky look of men who know they just lost a chance for self-promotion. (Or are about to turn into werewolves.) Orsini says something rude at Rodrigo's shoulder about him being a dirty Spic and a white Moore, or something, but Rodrigo tactfully ignores him and repeats, "As Vice Chancellor, I swear before the Living God." He kneels by Innocent's bedside, and all of a sudden everyone's jumping on the bandwagon, with their "And so do I's" and "Rest Assured's" and crowding the sickbed with their voluminous red robes, and Della Rovere's just standing there trying to decide between looking like a sycophant and looking like a surly rebel. So he opts for a third option: the one-up. "The glory of the Holy Mother Church will be restored, in my lifetime," he swears, kissing Innocent's hand and casting a wholly indiscreet glare at Rodrigo. As the camera pans away to show a lovely, detailed set, Innocent blesses the assembled group, and then one cardinal crosses himself, and then everyone else remembers that that's what they're supposed to do and they cross themselves as well, just like Christmas mass. Keep reading. There will be sex.